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Jan van Goyen A Windmill by a River mk170
1642
Oil on oak
29.4x36.3cm
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Jan van Goyen River Scene River Scene
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Jan van Goyen slottet montfort 1645
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Jan van Goyen Beach at Scheveningen Oil on canvas
92,1 x 108 cm
1646
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Jan van Goyen Landscape with Cottage and Figures Landscape with Cottage and Figures, oil on canvas painting by Pieter Molijn (Dutch, 1595 - 1661) and Jan van Goyen (Dutch, 1596 - 1656), about 1640
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Jan van Goyen Haymaking. Date 1630(1630)
Medium Oil on panel
Dimensions Height: 31.5 cm (12.4 in). Width: 50.5 cm (19.9 in).
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Jan van Goyen View of Dordrecht Date between 1644(1644) and 1653(1653)
Medium Oil on canvas
Dimensions Height: 97 cm (38.2 in). Width: 148 cm (58.3 in).
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Jan van Goyen Rivierlandschap met gezicht op Arnhem. Date 1641
Medium Oil on canvas
Dimensions 104.7 x 147.2 cm (41.2 x 58 in)
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Jan van Goyen View of the Merwede before Dordrecht Date first half of 17th century
Medium Oil on wood
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Jan van Goyen Pond in the Woods. Date 1642
Medium Oil on oak panel
Dimensions 31 x 39 cm (12.2 x 15.4 in)
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Jan van Goyen View of Dordrecht Date 1644(1644)
Medium Oil on panel
Dimensions 64.9 x 97.2 cm (25.6 x 38.3 in)
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Jan van Goyen Winter on the River Date first half of 17th century
Medium Oil on wood
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Jan van Goyen Hollandische Flachlandschaft. Date 1641
Medium Oil on panel
Dimensions 32.2 x 56.1 cm (12.7 x 22.1 in)
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Jan van Goyen Winter Landscape With Figures On Ice Oil on canvas, 39.6 x 60.7 cm
1643
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Jan van Goyen Mouth of the Meuse 1644(1644)
Medium Oil on canvas
Dimensions 48.5 x 76 cm (19.1 x 29.9 in)
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Jan van Goyen Seashore at Scheveningen 1645(1645)
Medium Oil on wood
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Jan van Goyen The Meuse at Dordrecht with the Grote Kerk. Date 1647(1647)
Medium Oil on panel
Dimensions Height: 74 cm (29.1 in). Width: 108 cm (42.5 in).
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Jan van Goyen View of Dordrecht between 1644(1644) and 1653(1653)
Medium Oil on canvas
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Jan van Goyen View of Dordrecht from the Oude Maas Date 1644(1644)
Medium Oil on canvas
Dimensions 103,5 x 133,5 cm
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Jan van Goyen River Landscape Date 1652
Medium Oil on oak panel
Dimensions 66.7 x 98 cm (26.3 x 38.6 in)
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Jan van Goyen
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Dutch Baroque Era Painter, 1596-1656
Jan van Goyen was born in Leiden on Jan. 13, 1596. Apprenticed from the age of 10, he had several masters. About 1617 he went to Haarlem to study with Esaias van de Velde, an important innovator in the Haarlem movement of realistic landscape painting. Van Goyen's works between 1621 and 1625 are sometimes hard to distinguish from those of his teacher. They are colorful, detailed views of villages and roads, usually busy with people, as in Winter (1621). It was Van Goyen's usual practice to sign or monogram and date his paintings. He traveled extensively through the Netherlands and beyond, recording his impressions in sketchbooks, occasionally with dates and often depicting recognizable scenes. Thus the chronology of his development is clear. His paintings of the late 1620s show a steady advance from the strong colors and scattered organization of his early works toward tonality and greater simplicity and unity of composition. By 1630 he was painting monochromes in golden brown or pale green; he played a leading part in the tonal phase of Dutch landscape painting. In 1631 Van Goyen settled in The Hague, where he became a citizen in 1634. The simplicity, airiness, and unification of his compositions continued to increase in his abundant production of dune landscapes, river views, seascapes, town views, and winter landscapes. The River View (1636) displays a river so open and extensive as to suggest the sea, with reflections that prolong the vast and luminous sky. In its monumentalization of humble structures and its composition built on a firm scaffolding of horizontal and vertical forces, it forecast at this early date developments that dominated landscape painting in the 1650s and later. In the Village and Dunes (1647) the traditional double-diagonal composition still exists, but it is dominated by horizontal and vertical accents. Stronger contrasts of light and dark replace the earlier tonality. In the last year of his life Van Goyen produced an eloquent new style, in which powerful forms stand out against the radiant sky and water in an exquisitely balanced composition (Evening Calm; 1656). The commission in 1651 to paint a panoramic view of The Hague for the Burgomaster's Room shows the high regard in which Van Goyen was held. He was enormously productive; well over 1,000 of his paintings still exist, and almost as many drawings.
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